#I hold canon to a different standard than fanfiction

[vulcanhello]

anyone trying to argue fanfic is inherently better than the films, books, and other stories they originate from i just KNOW doesn’t actually watch movies or read or engage with anything outside their favorite ao3 tags

[tigressaofkanjis]

My biggest pet peeve in Transformers media and fanfiction sometimes is that Transformers aren't treated as aliens. They are referred to as aliens, they obviously are aliens, but they never feel like they are aliens because they are always written or seen as having all human mannerisms or features usually. Human posture, human noses, human mannerisms, humanoids...

What about TFA's cat noses or TFP's helm noses? One of the reasons I think those two shows have peak designs is because they have this lack of uncanniness to humans design wise. I'm not looking at a human being as a robot, I'm looking at an alien robot, ones that have claws, ones that have different body types that blend with their vehicle modes, ones with horrific mutilations and designs impossible by human standards. I love seeing that type of stuff in Transformers because to me, it makes them feel alien without completely changing the premises of similarities to where we can't compare their culture or likeness to humans. The films (mostly 1 and 2) showed off this as well.

Another thing I really would like to see in Transformers media is non-human interactive qualities. What do I mean by that? One thing I've noticed is aside from techno-organic species, regular Cybertronians do have a few qualities found in animals. Engine humming I believe was once used as a form of purring in the films and in some of the cartoons. Humans can't purr; cats can, and that small detail is always interesting to come across because it's like "wow, they have this feature that shows off a trait found in Cybertronians. That is so cool." You have them with multiple voice boxes for mechanical, natural, and human-like tones which is also an animal trait. Bumblebee is self-explanatory in most universes being able to still make sounds yet not talk. They have sensors across their body that don't act like the basic human receptors. Most animals can do more than just feel through certain points of their bodies. They can taste, smell, or even hear a hundred times better than a human being throughout various body parts, and Transformers have been hinted to have this ability too, especially through their servos. It's stuff like this that expands upon their existence as aliens.

They have extreme durability, their body morphs to extremes and can also double as a moving weapon (most obvious of course), some of them can make ungodly roars and creature-like noises to warn or show their threatening demeanor (Megatron's dinosaur-like growling), some can have two rows of teeth (a flat base in front and fangs hidden behind), and some of them have mimicking animal-like features (Starscream's bird-shaped feet with visible expansion the same as organic foot padding with similar distributive weight physics in a few universes) despite having no beast mode. There's probably more I can't think of on the top of my head in canon, but all those things are not heavily used as they should be to make them feel alien. They can still hold some relation to the humans they interact with, but I think a lot of Transformers are more than just metal "humans", you know?

Depending on the universe in fanfiction and who you encounter who writes it or not, you have several things that are always cool to see. They have to sparkbond (merging of hearts) above everything else to create a sparkling's life force with interface as just the extra for physical coding features. I've seen people use the non-canon heat cycles which are, of course, our fandom way of making a type of breeding euphemism akin to an animal's cycle. You have the common phrasing of nuzzling, heightened senses, armor and certain parts of the helm acting like fur or ears where it raises and flattens per their mood, and some Transformers have limb dissonance where if necessary, they can convert between bipedal and quadrupedal stances (best example is Bulkhead and Lugnut from TFA who have long arms but short legs and they have the bulky structure where they could possibly run like an animal briefly and the physics of it would work).

So, you have all these different things a common Cybertron most likely would be able to do or have but a human couldn't, and it's never utilized to their full potential. I would like to see people address the nature of Cybertronians as alien and not be afraid to make them alien. I think that's the biggest flaw in our franchise is that everyone is scared of making the Transformers not the humanoid "norm" and getting ridiculed for it. Like, they're aliens, you can make them act however animal-like or completely batshit insane as you want them. You can give them powers, animal-based senses, and behaviors hidden among a human thought process. And technically, you wouldn't be wrong to what they could be as a living creature in the universe by doing so. They aren't humans; they look humanoid, but they aren't us. Why should they have to be in every regard?

Thank you for reading my TED Talk.

[greenerteacups]

Your Hermione (through Draco's loving, rose-tinted glasses) has been one of my favorites to read. He doesn't shy away from her faults but sees her qualities (intelligence! an appreciation for the rules but creativity around them! confidence! a touch - a gallon - of bossiness!) as strengths instead of the annoyances they sometimes appear to be through Harry's eyes in the original books.

You once wrote on your favorite and least favorite tropes for Draco. I'm curious, what are they for Hermione? Was she the character you saw yourself in in the books, or was that someone else?

And a million times over - thanks for creating such a rich, beautiful text. I've been reading fanfiction for 10 years, and this is one of my favorites.

Thank you so much! Hermione was my favorite character, and as a bookish, socially challenged kid, most definitely the one I saw myself in the most. She made it seem cool to work hard and try, which was not the vibe of my school at the time, and she was the character that I imprinted on. Honestly, it's cheesy, but she probably changed my life.

My favorite version of Hermione is probably "loving hierophant." I like her bossy, righteous, imperious, book-smart but stupid about people, and most of all, a wonderful, wonderful hypocrite. Hermione holds everyone to incredibly high standards, including herself. That means she believes in people intensely and gets cross at them easily when they disappoint her. She's sensitive about certain topics, especially the "not having friends" thing, but she hates the vulnerability it brings up, so she responds by getting defensive and redirecting attention to things she's good at, i.e. books and rules. This is also her reaction to vulnerability in general; Hermione needs to be In Control, and intimacy is the one area where that's literally impossible.

She's capable of observing her own faults in others much more easily than she is of observing them in herself; she'll criticize Harry and Ron for being tactless and then turn around and say something incredibly rude without blinking. This also applies to Harry's inability to pick his battles; Hermione's a little better than he is, but they both have different triggers, and she's not necessarily less bellicose than he is. (This doesn't stop her from lecturing him about a need to "be the hero" in OOTP, one of my all-time favorite Hermione Hypocrisy moments, because. Babygirl. Doctor, heal thyself.) She's scrappy and once she's engaged someone as an enemy, she fights with no holds barred; rules are for people who choose to play by them, and once someone breaks them, she's willing to open the umbrella of what she can do to deal with them. She doesn't have the most consistent moral code in the world! She's often inconsistent, and that's what's wonderful about her. She's a realistic depiction of a fifteen-year-old girl who cares just so fucking much, about everything, all the time, and is furious and desperate and passionate and brilliant, and wants to solve every problem, even when it means contradicting herself. She's still figuring herself out, and I love that about her. I love that she's wrong sometimes. I love that she's rude and messy, and she isn't good at expressing her needs.

In my view, the core tension of her character is her desire to be righteous and her absolute determination in pursuit of her goals. She is an ends not means type of person, and that's a decent philosophy when your enemies are dragons and dementors, but the minute you start dealing with people, your moral bets are off. This is the place where I think canon leaves her, and it's the place where the best fanfic takes her up.

[velourfant]

on fanfiction, fic authors, and the (misplaced) expectation that fanfiction should be an extension of the source material rather than…fanfiction

forgive the negativity, i promise this won’t be a norm :)

i’ve been writing fic as a hobby since i was in elementary, first for the TMI series, then 1D (lol), then haikyuu, genshin, you name it. for the most part, writing has afforded me unique opportunities to connect with fandom, even if many of my earlier fics never saw the light of day.

while i’ve received a lot of love from the communities i do publish fics for, i’ve seen an uptick in entitled fic readers publicly bashing fanfics because authors “mischaracterize” characters from the source material.

then, i watched a tiktok about a renowned bakudeku fic:

*i’m not a diehard bakudeku or my hero fan, nor do i consume any fan content for the series, so if i’m missing something regarding the bakudeku fic, you’ll have to forgive my ignorance. the point i wanted to make extends beyond mha anyway.

…and realized this problem was not endemic to the fandoms i’m active in, but a larger sign of souring fandom etiquette.

i don’t care how entitled you think you are to reading “good” fic. voluntarily consuming someone’s work and then complaining about it because it doesn’t meet your “standards” is a terrible way to interact with fandom spaces. you’re allowed to have opinions within your circles. everyone does. but the moment you publicize hate so you can interaction farm + round up other entitled fic readers (who often don’t produce their own fic), you’re inviting negativity into a space that you have no right to police. what gives you the authority to criticize someone else’s labor of love?

to begin with, the expectation that every fic writer’s interpretation of the chars must perfectly align w the source material imposes a skill/time barrier on fan work creation, draining all the fun out of the creative process. even if someone knows in their head how x and y are characterized, the disconnect between your brain and the words you put on a page takes time to mitigate. writing is a skill honed with practice. in other words, it’s difficult to convey what you want with words. by expecting fic authors to faithfully abide by source material characterization instead of allowing them creative freedom to INTERPRET ART (because believe it or not, these chars are just another piece of art that can be analyzed from different angles) as they see fit, you’re limiting the pool of creators to one of the following:

1) fic authors who understood the source material characters “correctly” on first read

2) fic authors who didn’t initially, “correctly” understand the characters, but could reread the source material and capture them through thorough study

i’ve missed some nuances, sure, but doesn’t that sound ridiculous? because i think it sounds ridiculous.

a suggestion, if i may: how about you just don’t read a fic you don’t like instead of lobbing unrealistic expectations at people who share their work out of love for the source material? how about you create your own fic since you’re soooo confident that deku wouldn’t wear this or that? legit why don’t you try contributing to the space instead of clout chasing and driving fic authors out? if you have so much criticism, then please, by all means, bless us with your vision. only through creating will you see how difficult it is to abide by your standards.

and if you’re a fic author who criticizes other fic authors’ works, shame on you. everyone in the space is interpreting art. congrats on being able to map out “canon-compliant” scenes or dialogue. stop holding other people who aren’t quite there yet/have no interest in doing so to the same expectations.

[phoenixtakaramono]

Fanfiction Tropes Tier List (Reader Edition)

Thank you for the tag, @deliciouskeys! (Here's their tier list!)

I tag: @fuckingpajamas, @phtalate, @tzeentchs-secretary-tea-time, @digitalbath1988, @vanshoundd, @tocadoguara, and anyone who wants to do this! I’d be very interested to see how y’all would rank ‘em :) but ofc no pressure if you don’t want to or have already done this!

…So I feel like I need to give some context🧍🏻‍♀️🙈 The tl;dr is: I will read almost anything, but I have certain standards/ expectations that must be met in order for me to continue.

I tried to organize these tropes from top ➡️ bottom, have strong feelings about (would more likely read) ➡️ am less passionate about going from left ➡️ right. For the bottom tiers with asterisks, I arranged them from “this specific trope represents the tier description” ➡️ “eh, it fits here but I don’t really hold strong opinions about these” from left ➡️ right.

⬇️Expand for a detailed breakdown below the line break ⬇️

My Tier List for fanfic tropes I consume as a Reader differ in some areas from tropes I’d like to write or would be open to writing as a Writer. As a reader, I usually give almost every fanfic a chance with my own arbitary criteria—although what I read is very ship dependent according to their canon dynamic (for example, I will devour Enemies to Lovers for one specific OTP in one fandom, but would NEVER read that trope applied to a different fav ship of mine in a different fandom). I also tossed in some danmei BL tropes, for funsies and because I want more people to know about them <3.

And remember, if you like any of these that I personally don’t, that’s great! Everyone has their own preferences. Please don’t take offense. These are just how I view these tropes specifically according to me, haha. It says less about you and more about me being picky with what I like to read and gives context about what kind of bibliophile (person who likes reading) I am.

Tier 1 (SSS Level)

Slowburn: Just as context, I regularly read light novels (hetero, danmei, and baihe) which can easily range from 100ch-300ch each. So slowburns is the quintessential demisexual experience for me, and I love it when they’re long fics where we get to see characters grow and relationships develop, with worldbuilding and an interesting plot. I think the longest I’ve ever read was +2.8K chapters of a story I was addicted to. Typically if I see it’s a slowburn, I know I’m gonna have a good time.

Fix-It Fic: As much as I love canon of the original source material, there are certain canon story decisions and/or plotholes that hurt me—so it’s always great to see someone write their own interpretation to try to “fix it.” You get banger fics and it’s just so creative and a nice catharsis.

Canon Divergence: Same as how I regard a Fix-It.

Dark Fic: Irl I obviously do not condone any of the things that typically happen in Dark Fics. But as someone who has consumed your usual wholesome healthy Lifetime Original style romance stories for a loooooong time, that type of milquetoast wholesomeness has become bland and predictable for me—which is why the wild and crazy shenanigans that happen in Dark Fics spices things up for me and I like that it keeps me guessing. I don’t want to read about things from my life. I think screwed up characters can offer so much more interesting stakes than a Good Guy. I like the tension and uncertainty. Ex. this is why I tend to prefer the protag/villain ships over the protag/childhood friend ships; it’s why a princely character who is secretly yandere is so much more interesting than a sidekick character with a bland and forgettable personality. The writers of Dark Fics, 9/10 times, produce something so interesting that I can’t put my phone down and I just have to binge through their entire fic because the suspense is k*lling me.

Conspiracy & Schemes: Mysteries? Political intrigue? Palace drama? Yes, please, inject it into my veins.

Strong Protagonist & Strong Love Interest: It’s similar to how I’ve come to prefer reading Dark Fics. The market’s too oversaturated with the damsel in distress trope being saved by his/her prince charming. I’ve read too many novels and fanfics about that dynamic, it’s gotten a little stale for me, haha. Give me the clever, scheming, morally grey or villainous MC with a strong backbone. I like badasses. As for the ML or FL, I also prefer them to be strong or scheming as well so they can be a power couple with the MC—and curb-stomp the world and their enemies. …*holds face like a blushing maiden* Don’t they sound like the equivalent of a fairytale couple?

Mutual Pining: Yes, yes, yes. It’ll never be not good.

Revenge-Rebirth: I love underdog characters plotting their secret machinations and getting their revenge. Pair it with a rebirth, where a previous villain(ess) or cannon fodder who’d suffered before learns from the mistakes of their previous life and uses their second life to faceslap their enemies and turn their destiny around? Yes, yes, yes.

Survival Game: I love the Infinite Flow (survival horror/ death game) genre, what can I say? If you’ve read the famous ones, you know why. The writing is almost always superb and so interesting (seeing all the unique horror instances that the MC has to figure out in order to survive). It’s just so imaginative.

Obsessive Love: Same as how I regard a Dark Fic. I do not condone it irl, but an unhealthily codependent partner in my fictional romances? Yes. I want them to be even more obsessed with my favorite character and fall deeper and deeper in love.

Misunderstanding: There is a difference between how I view misunderstandings versus how I view miscommunication (which can grate on my nerves if not executed well). I believe you fundamentally cannot have a good long fic without some misunderstandings that the MC or Love Interest has to clear up, and it’s always so good once the cat is out of the bag and the truth is revealed.

Isekai/ Transmigration (World-Hopping): Yes. Gimme. It’s like 10 stories in one. I like it when your ordinary layperson gets transported into a different fantastical world or pseudohistorical world or into a different modern world of much different circumstances depending on their new identity. I like these duck out of water stories.

Historical AU & Royalty AU: There’s just something about pseudo-medieval settings that can be so charming and interesting to read. If you’ve got royalty thrown in, there’s the additional seasoning of power struggles between members of royalty and aristocracy, and political intrigue, and seeing how a kingdom is run. Writers tend to do a good job worldbuilding these types of stories with characters I like moved into this new setting.

Established Relationship: The domesticity and PDA of it all can make my heart go dokidoki (especially if they’re a powerhouse couple). It can fall into the danger of coming across as bland, so this depends on the plot and writer’s execution of their relationship. I gotta have some stakes.

Enemies to Lovers: I love it for certain pairings.

Forbidden Love: It’s the tabooness of it that makes it interesting to read.

Friends to Lovers: As long as it’s not milquetoast or bland, I think most of the time this is executed well. It’s a step below an Established Relationship, so they’ve got wiggle room to develop into that.

Soulmate AU: It’s inherently romantic, what can I say? I will REALLY LOVE it though if the writer gives it a unique twist.

First Kiss & Sharing a Bed: It’s tender and sweet (or hot) and I will never get tired of it. You can’t go wrong with it.

Magic AU & Fairytale AU: It’s a fantasy world. As long as it’s not bland and there is a serviceable magic system, I will generally like it. (One caveat: it cannot be a HP AU. C’mon. As much as I like HP, you can do better as a writer than transporting these characters into the HP universe. Come up with your own magic system.) For fairytale AUs, it’s basically your Hans Christian Andersen/ Disney fairytale with your favorite characters. I don’t think you can go wrong with it. I just love any AUs in general.

Huddle for Warmth: Same as First Kiss & Sharing a Bed & PWP.

Tier 2 (A Level)

Fluff: Oftentimes reading cute fluff (like sneaking quick kisses or holding hands) can make me blush and giggle more than reading p0rn or smut on my phone in public. HOWEVER, unlike a oneshot where I can tolerate it, for me fluff has be spread sporadically throughout if it’s a long fic. If the long fic is just too fluffy and sweet all the way throughout (force-feeding me “meng” and “dog food” (PDA)), I get the equivalent of a sugary overdose and any interest I have for the fic dries up into “ugh, that’s enough”—which usually ends up with me dropping the fic if the fluff had oversaturated everything (all sugar/ fluff, no real meaty substance). There’s only so much cutesy uwu, descriptions of someone’s soft coquettish voice scratching the Love Interest’s heart like a cat’s paw, etc that I can stomach at a time. It’s like junk food; I can’t eat too much of it.

PWP: As a connoisseur of all things slowburn and a demisexual irl, I have to be in the mood to read a PWP. It’s p0rn without plot; I don’t expect to be reading much plot (although it’d be a pleasant surprise if the p0rn came with some serviceable-enough plot 👌). It is what’s written on the tin. I’m not here expecting a Shakespearean masterpiece. A writer was gripped by the h0rny and decided to share, and this was the result. I’m here to turn my brain off, have fun, and read about two of my favorite fictional characters banging each other stupid.

Im Vino Veritas (Drunken Confessions): Yes, gimme. I’m picky about the execution and the follow-up scene that comes after the drunken confession though (after the drunk character sobers up). The writer has to be skilled enough for me to root for the character and not cringe (unless the whole point is to cringe at the drunk confessing because it’s established they’re a cannon fodder character who won’t get together with the MC or Love Interest).

Missing Scenes: I generally like it when writers come up with a What-If scenario that happens between Point A and Point C of canon. It can be fun and believable—especially if they get the characterization right. Then it’s like reading a little bonus content (like, you know it’s a person’s headcanon but, dang, it’s written so well I could almost believe it was canon).

Office AU: I love me my rich Sugar Daddy AUs and doting CEO husbands pampering and spoiling their lovers. I enjoy reading about a business expanding into a powerful corporation and the power struggles that come with. It’s a guilty pleasure. (I do have to try not to think about HR though.)

Showbiz AU: It’s a guilty pleasure. Sometimes I learn something new about the acting or modeling or fashion industry, and it’s interesting. I also like seeing the journey of the unknown underdog MC rising like a phoenix from a nobody to a well-respected powerhouse of their industry.

Reincarnation: Same as how I regard almost other AUs here (inject it into my veins). With reincarnation though, I usually like to see the rebirth have an affect on the story. It’s an important plot device after all. If it seems like the whole rebirth part could be omitted and it wouldn’t even impact the story with that aspect removed, then…well, sorry, the story didn’t execute it well.

Cold Love Interest: Depends on the execution, but I like it when you have this character who’s known to be cold slowly be thawed out the more and more they start opening up to the Main Character—until they inevitably fall in love. It’s essentially reading about an ice cube that has melted into warm spring water. The transformation can be so beautiful and moving, because you’ve been following them on their journey of self-discovery and finding happiness. (However, my tolerance toward Cold Characters does have a limit; they can’t be irredeemable at the start. Because if it’s the equivalent of the Wife Chasing Crematorium trope, where the Love Interest is a cheating (?) murderous (?) selfish abusive assh0le who has essentially traumatized the MC and still gets together with them at the end…….ugh, 9/10 times I will dislike it even if the ML or FL realizes how much their actions have hurt the MC and tries their best to make up to it for the rest of their lives.)

Dense Protagonist: A protagonist who is oblivious to the Love Interest character pining and simping hardcore after them can be hilarious. However, I am generally picky about its execution. It can teeter the fine line between endearing and dumb/ annoying. At some point, their denseness can become too much (to the point where it’s no longer funny or amusing) that my suspension of disbelief drops and it’s no longer fun to read the story for me personally.

Unrequited Love: Depends on the context. Is it the writer’s intention to make it bittersweet and unresolved? Is the character pining after their unrequited love, and it’s the early stage of the story where the MC or ML/FL have yet to reciprocate? Is the intention to make me cry? For all of these, I usually like to know before I jump into a fic—because I’m a sappy woman who gets easily teary-eyed and I easily get touched by moving depictions of the human connection. So I don’t want my young glass maiden heart to be hurt too much, haha; there’s only so much abuse my heart can handle.

Crossover: At some point, I run out of fics (the good ones) to read for the specific ship I like. So I turn to crossovers, to see how my favorite MC can be shipped with someone else. If the writer’s good, they can blend the worlds and these cast of characters together seamlessly. It’s like a brain puzzle—so I have countless admiration for those who can execute crossovers well.

Time Loop: This is your usual Nicholas Sparks’ (a romance writer) type of story; a time loop is basically Groundhog Day where the MC has to figure out how to break the time loop—and I’m usually invested in the mystery of how they’re gonna pull it off. I’d like to say when I’m in the mood to read this, writers tend to execute the trope well (my logic: if you’re going to introduce a plot device, make it relevant to the story; if it can be omitted and it doesn’t detract from the experience, then it doesn’t need to be there).

Hurt/ Comfort: To an extent. It’s the same as Fluff or Angst for me. Moderation is key.

Sex Pollen & Bang or Die: Similar to how I regard PWPs.

Arranged Marriage: Generally I will like if executed well. I almost put this in Tier 3, because I more often than not don’t usually click on a fic if I see this trope tagged (because my brain thinks about the irl implications). BUT…it is the premise of almost every transmigration (isekai) light novel or manhua/manhwa I read—and they work because it’s a fish out of water story where the MC finds out there they have an arranged marriage to a king, prince, duke, noble, knight, etc with a certain cruel or perfect reputation, and you get to read about them learning about their real selves and falling in love over time with their fiancée/fiancé. And it’s so cute. This is my expectation when I read fics with this trope: a fairytale-like romance, where the arranged marriage managed to work out in this couple’s favor instead of it being loveless.

Baby Fic & Pregnancy Fic: I would not go out of my way to read oneshots where the whole premise is specifically only about either of this. It has to be just one of the ingredients in the whole long fic. Writing children is tougher than you think (you have to be so careful writing about them because you can toe the line between making them precocious and making them annoying), and some people are unable to respectfully write pregnancy characters, choosing instead to focus on the humor of pregnancy stereotypes—but the gags can come across as shallow writing than giving it the proper respect it deserves. So it depends on 1) the execution and 2) my mood. I’ve read a couple good ones, but that’s because the writer is good at delivering the concept that is easily digestible and frames the whole process of birth and child rearing as a beautiful process of nature and life.

Tier 3 (B Level)

A/B/O: I will not intentionally go out of my way 99/100 times to read Omegaverse stories. Shocker, I know. It’s just, for me, I tend to find a majority of these general A/B/O fics…shallow and of little substance. Most of the time, I find the writing can also be a bit distasteful, especially when it comes to the omega and alpha dynamic in this kinda story (in the wrong hands, the writer can make their story come across as r@pey and sexist/ misogynistic, especially if an alpha’s being aggressive and forceful with the MC because they’ve been affected by the smell of an omega’s heat—and now I’m reading descriptions of the omega character sobbing and crying out “no, no, no” and “please stop” and I’m in disbelief why people find this hot). I also don’t like the submissiveness of the omega character where it’s like I’m reading about a milquetoast wet rag who has all their fight drained out and has no personality other than being a hole that produces slick and blushes constantly. Also, for me, predictability is not something I like; if I can predict everything that’s going to happen in a fic, I will become bored. I need some kinda serviceable plot for me to be emotionally invested in an A/B/O fic or there’s some kinda hook that keeps me coming back. I can enjoy the rare one A/B/O fic out of one hundred similar A/B/O fics, but I am INCREDIBLY PICKY about what I choose. The premise itself is also very important to what makes or breaks an A/B/O fic experience for me (for example, if it’s a Dark fic, then I can be more forgiving because it’s expected for there to be dark themes).

Miscommunication: For me there’s no in-between. I will either hate or love this trope, depending on its execution in the fic. On the extreme end of hatred, I am ticked off when a conflict in the story can be easily resolved had the character(s) communicated properly—and it’s just so incredibly dumb. On the opposite end, miscommunication can be done well as a funny gag or a plot device that shows how differently characters can interpret a situation or words. So depending on which one of these the fic delivers, it determines how much I can enjoy a fic.

Love Triangle: See my opinion on Harem Fics, and now make my aversion less strong. I’m a wee more forgiving on this trope because it’s a love triangle where you start off with the MC, the ML/FL, and the love rival—and the story is about the MC choosing one of them. The other Love Triangle I’m okay with is if it’s obviously a poly ship where the MC ends up with two people—but it has to be executed well (I generally have to like both options for the MC). I’m more of a monogamous soulmate type of gal, so I’m kinda picky on the execution when a story focuses on the love triangle. It can’t drag on to the point where I find it to be insufferable. The danger with a love triangle is I, your reader, might come to like the Second Male Lead or Second Female Lead—and think they were a better fit for the MC than the actual Fe/Male Lead that was chosen just because this character was the writer’s favorite. In this case, the moment the wrong candidate is chosen, my interest in the fic dwindles and I feel like I’m reading a lesser version of what initially drew me to the fic in the first place. So now it’s the writer’s responsibility to show me why their choice is the correct one.

Angst: It’s like junk food; the key is moderation. I can’t have too much of it—otherwise it’s too angsty and the poignant emotional knives become laughable.

Humor: Humor is subjective, and differs for each person. What the writer finds funny might not be what I find funny. I’m more of a subtle gal. So if a fic’s meant to be funny throughout, it runs the risk of teetering towards me feeling secondhand embarrassment and cringing—because it’s too much and unfunny. But if a writer genuinely writes something surprising that makes me laugh, I do appreciate their talent at grasping the opportunity and having the know-how to effectively inject some lighthearted humor.

Fake Relationship: …My enjoyment level HEAVILY depends on its execution. It’s the characterization, their chemistry, and plot that have to save it for me.

Amnesia Fic: See, I understand it’s a plot device—which is why I’m a lil more forgiving. But don’t you hate it when all of a sudden a character gets memory wiped after all that progress? (I feel like I wasted my time just as the story was turning good, and now they have to start over? Kinda feels like unnecessary filler and it can drag on, and I feel like banging my head against the wall.) On a lesser extent of my pickiness, I don’t like it as much when it’s used as an exposition framing device, with the MC or Love Interest having no recollection of anything—and they’re lied to at the start about who they’re supposed to be…because you know there will be a dramatic fallout happening when they inevitably find out and that predictability (they fall out, and then you know sometime later something will bring them back together…the fakeout dramatic “breakup” is just so contrived and mechanical and formulaic) is what turns me off. (I don’t mind the amnesia trope as much if it’s used in a psychological horror/ thriller story though.)

Shizun F*cker: It’s your master (teacher) x disciple Chinese classic. I went through a phase of binging these stories and I find they’re generally all very good, but there does come a point where you start seeing similarities and not enough freshness with this trope and they all blend together (especially if it feels like it’s a pale imitation inferior copycat version of certain shizun f*cker classics). Nowadays this kinda premise has to be accompanied by something fresh and unique in order for me to keep reading—and turn my brain off from thinking about the irl teacher-student implications.

Secret Identities: If executed well, I like the reveal of their true identity in the story. It’s like you have this lowkey cute crush who has been helping you all this time—and you find out he’s, like, a mafia don or the CEO of a conglomerate or an international spy. It’s the gap moe contrast of who they pretend to be versus the secret badass they really are. It does come with the risk of some predictability for me though which can ruin my immersion (y’know…the typical MC’s outrage when finding out their Love Interest’s real identity: “You lied to me?! How can I believe you now when all you’ve done is lie to me?!” ➡️ A genuine apology ➡️ Fallout ➡️ Some sort of dramatic reconciliation after the MC or ML/FL was kidnapped).

Tier 4 (C Level)

Dubcon: It’s teetering on the verge between what I find tolerable and what I find unacceptable. As long as it does not fall into the Non-Con territory and isn’t written distastefully, I can read dubcon stories where the consent is a blurry line between these two characters.

Major Character Death: I usually don’t seek this out—because I’m a big weepy baby and I don’t want to grow attached to these characters and bawl at the end when the inevitable happens. But on the super rare instances where I do click on a fic despite this warning tag, it means I have mentally and emotionally prepared myself to get knifed in the heart.

Mary Sue Fic: As much as I love power scaling fics and OP MCs, it does get boring if there’s no setback or conflict for the MC to learn from. I mean, sure, it’s fine for them to steamroll over everyone but if I’m reading +1K chapters of them just steamrolling, they’ve become a Mary Sue. I want flaws. I want setbacks. There’s only so much chuunibyou I can tolerate. There’s only so much descriptions of how ungodly beautiful or how shockingly genius the MC is at everything before I start rolling my eyes. Fatigue has set in and the OP character has become an insufferable milquetoast Mary Sue/ Gary Stu who can do no wrong. My suspension of disbelief has finally been worn away into nothingness. This can also apply to the Love Interest character (I understand their role in the story is to satisfy the ideal dream lover trope—but please give dimension to the character). I want three-dimensional characters with backstory and flaws and an interesting personality, not Mary Sues or Gary Stus.

Y/N (OC Fic): If I’m reading fanfic about my favorite character(s), I don’t want to spend my time reading about a writer’s Original Character or Self-Insert character being shipped with my favorite. I went in to read stories with my fav ship—and only that. There have been the few exceptions to this—but me liking a Y/N or a fic with OCs is ultra rare.

Breakup: Similar to my thoughts on Unrequited Love. But taken up to a hundred. If there’s been a breakup between the main couple in the fic—and it’s not in the beginning exposition chapter where we don’t yet know enough information about these characters—in the middle or near the end, chances are I think the relationship is f*cked anyway and therefore lose interest in the main ship itself in the fic. Even if they get back together at the end, I just think, “Honey…you can do so much better than him/her.” Which is why I usually don’t like reading breakups between the main couple in my fics. (And if the breakup is because the MC or Love Interest is in a precarious situation and they think pushing them away is the best way to protect them, it’s a cliché that makes me roll my eyes because it’s been so overdone and ugh, why pretend to be awful INSTEAD OF COMMUNICATING?)

Body Swap: …It depends SO MUCH on the execution. I cringe so hard if a character (usually the guy in the body of a girl) is feeling up their developed chest like a perv. There’s only a handful of Body Swap stories that do this trope well. If two characters are swapping bodies, I want to read about how they’re trying not to OOC (lol) and see how this body swap impacts the story and cast of characters in any meaningful way.

College AU: I’ve long since graduated from college. Nuff said. Might give a fic a try if it’s well-written or a short PWP (it is what’s written on the tin) but, as a working adult, reading about petty school drama wears on my patience. There has to be plot to keep me invested. Might also read if it dives into college controversies or campus scandals—but the suspense has to be executed well. Most of the time, it works if there’s some kinda big mystery like there’s been a crime committed. Because now you have a whodunnit mystery. And that’s so much more interesting than reading about students studying and doing homework, going to parties, crushing on the professor (also, here, yikes…if you want me to turn my brain off and not think about the real life implications (the teacher’s immediate suspension (hopefully) and losing their teaching privileges and license), you gotta reel me in with the plot or characters), or the typical student college experience.

Gen Fic: It’s bland, milquetoast, mid and forgettable. It’s like sucking out all the fun elements out of a fic—and that’s not my idea of a good time. I think the only way to pull this off is if it’s a Character Study fic.

Tier 5 (F Level)

High School AU: Give me real men or women; get out of here with the kiddy stuff. I’m outside the age range to be able to enjoy this. As a working career-woman, I really don’t want to spend my free time reading about minors and teen romance and teen drama. And if there’s adult content, sorry, just—no. My brain more often than not associates it to underage s3x—and it squicks me out. It’s also so much harder for me to suspend my disbelief that this inexperienced kid from high school is like this super genius hacker or ultra cover model beauty whom grown wo/men salivate over. (Because…god no, I DON’T want to read about a minor’s “milky thighs” or “coquettish voice.” They’re, like, 14-16 y/o. Who wants to read about a predator who has designs on a teenager?) Also, unless it is at the hilarious peak levels of highschool romcom like Kaguya-sama: Love is War but in fanfiction form, reading about two high school students crushing on each other is 99/100 times so boring and milquetoast to me. I am not the target audience for this trope.

Non-Con: The real life implications ruin any chance for me to want to do anything with this trope. Consent is king, y’all. Non-con is a personal squick—and therefore I will not read if it’s what’s gonna happen between the main couple no matter how sweet and regretful the ML or FL acts after the act. It’s r@pe; I do not find SA and being forced sexy in any way. The moment I see that there’s non-con between the main couple, that’s ruined any chances of me enjoying that ship in the fic. (The only exception I can think of for this is if the ML/FL was mind-controlled or didn’t have autonomy over their body due to some kinda magic shenanigans. Or if it’s non-con framed as a horrifying traumatic experience between a character and the unimportant cannon fodder who’s there in the story to be punished as a villain and won’t be forgiven in any way.) I will not seek it out if I see a fic’s been tagged with this. And if I encounter surprise non-con in my reading, I will immediately drop the fic.

Unhappy Ending: I have a glass maiden heart. I tear up easily when characters die or suffer in a book. I don’t want to get emotionally invested in a story and its characters, only to end up with an Unhappy Ending at the end. It just feels so unsatisfactory, like I’d wasted my time on this long fic when I could’ve spent that time productively reading something else that has a much happier and better conclusion.

Crack Fic: Now, the one exception to this is if a writer jokingly says their story revolves around a crackship, but the writing’s so dang unbelievably good you don’t even think it’s a crackship in a crack fic (it’s a bonafide good story). But aside from that, 99 out of 100 times, I will not read crack fics. A crack fic is a writer’s attempt at humor. And humor is so subjective. What they find funny or entertaining might not be what I find funny or entertaining. Most of the time, it’s also of little substance and random and the writing is all over the place (which…y’know, I get it; I notice a lot of people mention they had a wild dream about this and that’s the reason why they’re writing a crack fic.) I’m happy that they’re writing what they find funny and I’m hoping it’s fun for them, but crack fics are not my cuppa tea.

Coffeeshop AU: It’s so mid and blah to me. It’s the most milquetoast Meet Cute out of all the Meet Cutes they could have chosen. I think the only one I recently read in, like, years, is because of a Art & Fic Exchange Bang I’d participated in. It’s so long ago. Basically unless it’s a stalker or secret identity or psychological horror story to make it interesting, I’d rather read anything else than a bland Coffeeshop AU.

Next Generation: Similar to how I regard OC Fics or OCs in general. I’m here to read fanfiction to read about canon characters of a show or book. I did not come here to read about a writer’s cast of Original Characters or Self-Insert characters. If 99% of the fanfic is about the OCs who are the sons and daughters of the canon characters, I just won’t read it. Won’t touch it. Won’t come anywhere near it. They might as well have written an original story of their own instead of a fanfic. (But 99/100 times, it’s poorly written and you can tell it’s written by a younger writer…eeesh. The good thing is, the more they write, the more practice they’re getting, so the better their writing will be.)

Bonus (F Level)

Cheating/ NTR: my brain automatically associates irl with this—and I find it despicable. The 1% chance I would read this trope is if the MC/ Love Interest is shown the consequences of their actions and the story promises that the person who’s been cheated on breaks up with them. Or if it’s a Mindlessly Self-Indulgent PWP oneshot—so I know to turn my brain off and lower my usual standards coming in.

Harem Fic: It’s Love Triangle—but taken up a notch. It’s so hard to write stallion (er0tica) protags that come across as endearing and not a playboy scummy f*ckboi. It annoys me if I’ve developed attachment to a ship or character and am interested in their relationship development (my waifu or husbando), but the story suddenly shifts to Side Character No.50 whom I couldn’t give two hoots about. The only exceptions to this, for me to keep reading a harem fic, is 1) if I like the storytelling, worldbuilding, and/or protagonist or main ship that makes it worth it. It’s very rare but there have been handful of writers who have actually made a harem where I care for and like ALL of the waifus. 2) I also enjoy harem dramas where the MC face-slaps every love rival, evil concubines, white lotus conniving mistresses, jealous queen/ mother, etc—and gets The Wo/Man.

Fanfiction Tropes (Writer Edition)

I’m much more open-minded writer usually 😅, so I’m usually open to try almost anything—but my criteria of tropes I will write for the story depends on my mood and the story’s premise. They usually have to pose some relevancy to the fic (which depends on its premise and characters) and satisfy my want to contribute something fresh/ interesting to the fandom if I decide to write that trope.

The biggest two changes are: 1) I’d move most of these tropes up into Always Down to Write and a few into If the Plot Calls for It. I’d also probably reorder a couple tropes if I look at them from a writer’s perspective (left ➡️ right, arranged from tropes I feel strongly about ➡️ the tropes I consider mid and don’t hold much strong opinions about). 2) I’d change the categories to:

Always Down to Write tier (probably 90% of these)

If the Plot Calls for It, or if I’m Curious and Want to Try Experimenting with It tier (I typically don’t go out of my way to read these, but would be willing to challenge myself and see what the writing experience would be like)

You’d Never Catch Me with My Pants Down Writing It tier (fun fact: there’s only maybe 4 or 5 of these I’d put here)

If you happen to be a writer whose tropes fall into ones I do not like and you know I’ve gushed about your fic before, know that you were one of the rare exceptions and I hope knowing this makes you happy. ╰(*´︶`*)╯♡

[vylad243]

Honestly with the way the Goethals act in general it could be safe to say most of them go down the line of “Anyone I perceive as lower than me I treat like shit” with a few accepting members like Stolas

But speaking of Stolas, if you feel more comfortable going off of what is canon, then maybe the idea could spin off of him? We know him to be respectful and to have enough pull to get meetings with a Sin so it wouldn’t be too far off to say Ozzy asked Stolas to check out the hotel to sponsor it. Maybe during introductions he only bows to Lucifer, the Sins, and Vox and everyone is confused?

Just spitballing with the other anons idea! Whatever you go with will be amazing regardless!

Also just a small question cause I’m curious of what you have planned but how many prompts are you planning on writing/is in your Que? I have like a shit ton of prompts in my inbox and need filtering advice if you’re willing 😭

I am the goddess of fucking around and finding out

I don't mind canon or going off canon. My Alastor and Vox are very ooc after all, but I know the fandom tends to hold Helluva Boss in a higher standard. I never really liked it that much. I've watched it- but I'm Striker. Why does everything gotta be a sex thing? The two season finales were my favourite of Helluva Boss, which ironically included little to no Stolas

I could definitely see Stella and her brother treating the sinners and overlords are faith on their shoes while Stolas and Octavia hold the sins and Vox in higher regard

Ozzie would definitely be pulling the strings to get Stolas to visit the Hazbin Hotel if I go that route.

I like working off of your guy's ideas. It's very fun and helps me world build 🙏

~~~~~~

Ahahaha my ask box is also full of different prompts. I have omega-verse, the Vee's joining the battle, and injured Alastor are three I can name off the top of my head (because I'm writing them right now) but I think I have like 10 or 11 in there. One is also a beauty and the beast ay which I'm mulling over

As for how I filter them out- prompts are things I want to be able to enjoy writing. Some of my prompts have been quite large- and while I don't mind the large ones, it gives me a lot less freedom with them because I feel like I have to rewrite a whole story that was just in the my box. I never deleted any, though. I just put them in their in tag just in case I feel like writing them later- but ones I am writing right now/want to write sit in my box so I can shuffle through them. It keeps it organized

I haven't encountered any rude people yet- so I haven't had to reject anyone for demanding things from me (which like I'm always ready for a debate on the internet, I find them funny) and with how nice everyone is, I usually feel bad for denying them. It's way I take so long to deny people. I want to make sure this is actually something I don't plan on writing in the near future

My way to filter out prompts is

- I need creative freedom to write so I don't feel miserable writing. This is one of the main ones. My brain is very hectic and I find myself tapping out if I can't bring my own ideas to the table. It's also why none of my works are exactly like the prompts im given

- I have enough context to write a fic on it

- I would actually enjoy writing it

- it's a world/au I'm aware of or contributed to. Nothing is worse than being handed a fully built universe and being asked to write for it with little to no explanation on how the universe works

- the people are nice to me.

- I know I make a few jokes here and there, but I like to keep in mind that I'm making free work for people. I'm not being paid to do this, and people aren't paying me to write out the prompts. I love writing fanfiction and it's a great hobby, but if you're genuinely just not interested in doing something- you don't have too. Writing it meant to be fun and inspiration is a fickle thing. You don't want to push it too hard or it's going to shove back. I've learnt that the hard way

- bonus way to do it- sometimes people leave comments, and I find them funny, and I get creative with them. I censored a whole chapter of month in rut because someone told me to let the characters swear. I'm also a very petty person

This is just personal, but I keep my prompts 1k-3.5k words just so it's decently sized, but not overly large

Hope this helps!

[chordsykat]

I'm not defending the anonymous person, but maybe it would be easier to take the criticism that they didn't get their fanart done because your art is good and worth getting. The comics you draw are pretty close in feel to the show and it's alot like having an expanded universe, so people want to get art from you just like they'd want their character to show up in the cartoon. That's my two cents.

I almost didin't answer this one because I'm getting fucking tired of concerns about my character over my decision to draw some fucking free fan art every now and again, but two things up front:

I think it gives a good foundation to address a broader topic.

I appreciate your asking it with your account attached. Thank you for that, and I invite you to DM me if my response is something you feel you want further discussion on.

That said, and please don't take this as a personal attack: I disagree with your assessment on how I should take the wants and desires of my fellow fans (and again, I reiterate -- I am a fan like everyone else, here) with every fibre of my being. I've been an artist, writer, animator and developer with enough published and public work to my name to garner my fair share of fan interaction through the years, and "taking criticism" as you are writing about here, is different from being expected to cater to every request from every person every time without fail. Especially when I'm not the actual creator of the source-content and when it comes to the things I share on this blog and the Dethkomic blog, I am sincerely, honestly, truly, just some fucking guy at the end of the day.

I've said it before as a joke, for all the questions I get, but maybe I should also make it perfectly clear in a more serious tone:

I am not Brendon Small.

I'm really not. And if I was, in what universe would it be okay for folks to come on my blog and get mad that they didn't get a chance to have an idea heard because I simply didn't have time to take every request I got? How does the idea that I'm the one producing your favorite show somehow correlate to a built-in expectation that I should cater to the wants, desires, and wishes of everyone who enjoys the thing I'm making?

See how ridiculous that sounds? You can't stick a "well, you're practically making official content" label on me and then feel okay about holding me to a higher standard than you would the people making the actual show. Or, Jesus Christ, I hope you don't think holding the creators of your media (who are people, by the way) to such standards is okay.

For a while now, this has gone beyond the ask that went down, yesterday, which, in retrospect, I probably never should have even answered. I get a lot of troll messages on here, and I usually just trash them. But if you want to know what Dethkomic's greatest hits of troll commentary looks like, the breakdown is something like this:

"I think you should write (some character, some fan creation, some wholly different story) along with/instead of the thing you are writing about."

"I don't think you should have fan-characters at the center of the story like you do."

"I think (canon character) actually acts this way and I don't like it when you write them the way you do."

"(this character) is my baby and I hate (this character) for looking at them."

All of it, and I mean all of it, is usually presented in the same way. That Dethkomic is a work the troll enjoys reading, but... (insert grievance here). To anyone who has sent an ask like this, please consider the alternative: Write your own story. Because this is the one I'm choosing to tell. Dethkomic is fanfiction and won't be affecting the canon any more than anything you come up with will.

So, back to your original point, OP -- if I draw art of your character, or put them in my comics, or give a kudo on AO3, or nod in approval to a character you come up with, or reblog art you did, it does not canonize those things any more than me writing and sharing my own works does. It's fan content. It's all fan content. I'm glad you like my stuff and I'm flattered to hear you feel like it's semi-official, but it is you putting it in that space. I don't suddenly get a production team, thousands of artists, and a big payday from the networks because you think my stuff is good enough to warrant it, so please don't expect me to suddenly be okay with handing public relations the same way I would if I suddenly had all of that.

And this is the last statement I'm going to be making on yesterday's situation. I think too, I'll be taking a little hiatus from Tumblr until the next 'komic update on Tuesday.

Sorry for being quiet in the coming days, but I'm presently exhausted.

[utilitycaster]

Do you have any particularly juicy Nine Eyes of Lucien takes you want to share but haven’t been asked about?

I think I've said everything specific about the book I wanted to say, but I guess to sum up a larger feeling I have about it:

I think a lot of the fandom discussion of The Nine Eyes of Lucien that I found frustrating boiled down to people treating the book as ascended fanfiction, rather than a canonical work in a different medium. Perhaps the most worrying indicator of this was that I saw the term "Mary Sue" or "author OC" thrown around for Brevyn.

I've talked about why I think Brevyn is a great character and fills a needed humanization (he's a tiefling not a human but you get what I mean) niche for Lucien, given how he generally treats people as though they don't exist when he's not looking at them. With that said, it's fine if you don't like her! It's pretty fucking telling, however, that instead of saying "oh, I dislike this character" or "oh, I'd have taken this in another direction," people seem to both be holding Roux to a higher standard than one would for fanfic (claiming no canonical basis for Brevyn, as if fic doesn't frequently have newly created characters, not to mention that Lucien's entire family and the witch are also not mentioned on stream) and yet also treating it as no different than any arbitrary fan work, despite it being written specifically with the input of the cast in a way fan works are not. For all I encourage criticism...I don't have much taste for sour grapes.

Also I do love Vess in this book, so much. I am forever sad that her body was abandoned somewhere in Eiselcross such that they can't bring her back just to question her and put her in jail in the cell across from Trent's.

[colorisbyshe]

When would you say that a film crosses the line between being a pragmatic adaption and being high production fanfiction? As a fan, I get that some things have to change, but most of the time films feel like fanfic written by people who either don't understand or don't give a fuck about the source material. When does an adaptation become "they're just using this character's name for IP branding reasons, it's in no way the same character"?

I think whenever you introduced major original content (characters, plotlines, scenes that serve a higher purpose than connective tissue) and whenever you deviate from the true "spirit" of the original work--whether it be changing the messaging, subverting it, changing tone, whatever.

I'm less precious about fanfiction as a terminology and don't think it's as... demeaning as a descriptor as some others do. I think the overlap between 'adaption' 'interpretation,' 'fanfiction,' and even 'commentary' (satire/parody/etc) is tighter than people think it is.

I don't even necessarily think of them as different tiers where adaption is the golden standard and 'fanfiction' or 'interpretation' or whatever is inherently worse. I think there is something to be said about a fan--a respected director or a pleb on a laptop--remixing a text to make it fit the current times or their own sensibilities or whatever.

I suppose you can argue fanfiction is more self indulgent where adaption, interpretation, even commentary or subversion holds the original work in a higher regard, even when it chafes or actively pushes against it.

I think they're all very neutral terms. Fanfiction is the most prone to falling into a more derogatory term but... idk! I don't think it's always a bad thing.

I could argue Romeo + Juliet, despite using direct quotation, is fanfiction. Is it just because it's modernized? Perhaps. And yet it's more faithful to the actual play and intent than a lot of other adaptions.

I'm less interested in really drawing a line between 'pragmatic adaption' and 'fanfiction' and more interested in WHY changes are happening, how they affect the text, and the value of the differences.

I'm very much a "two cakes" person unless the "adaption" is actively bad. I enjoy the chance to use an adaption as a 'what if' generator or to provide a new lens to view the original text. If it came from a director being a bit too self indulgent... so be it.

But the original source will always be there. (Unless it's like marvel where the comics canon has been altered by the fucking movies :| then... kill me.)

[takaraphoenix]

I mean no offence, but you ship a 17 year old with 1000-something year old gods, but you find it wired to ship an 18 year old with a 400 year old warlock? That sounds a little hypocritical don't you think? I love all your works, just saying.

Oh, absolutely no offense taken, no worries!

Okay, so, there’s this thing that I call the 50 Shades of Grey Principle, because that series is the perfect way to explain it.

The main principle is that fanfiction has zero moral obligation, while published canon has very much a moral obligation to the public.

You can write as many shitty, unrealistic, BDSM-disrespecting, abusive, stalkerish, weird fanfictions as you like.

This book-series was a fanfiction too before and me and many others were unaware of its existence. Because we simply didn’t venture into the straight BDSM part of the Twilight fandom. Nowadays you’d just block certain creepy tags, you’d just filter out the ships you really do not want to see, if you by accident click onto such a bad-fic you could just filter out that author and never have to even see a glimpse of that creepy shit.

I don’t care. You do you. If you want to romantize abuse, stalking and unhealthy BDSM, that’s fine. There are a shit-ton of fanfiction in the non-con and dub-con tags that I’d simply never click on because no, thanks. They exist, they don’t bother me or others like me who don’t like them because we can avoid them.

Once it becomes a published property, you can no longer avoid it.

I walk past the movie posters, am forced to sit through the trailer, have to walk past the books in book-stores, see articles discussing it everywhere.

Now it’s no longer just a nieche fanfiction that people looking for BDSM Edward/Bella fics and who specifically want this type of story can find.

Now it’s “Mmmh, I, a normal middle aged mother, would like to see a romance film with some… spice in it. Oh, this looks interesting, let’s go see it” - and thus the moral obligations set in.

Because those middle aged mothers, those young, naive teenagers who normally do not venture into fanfiction-territory, those people are unaware of what BDSM ACTUALLY is. It’s hard to fault them for falling for this romantized abuse if they are not being made aware of the fact that it is abuse, that this is not what BDSM looks like.

We, who we read fanfiction and who we seek out BDSM fanfiction, know at least roughly what BDSM is and thus can identify unhealthy tropes. We can either decide to then avoid them, or to shrug it off and say “It’s my porn I’m reading, what do I care if it’s healthy porn?”, which is completely legit.

But as soon as it reaches farther than the borders of fanfiction, the borders of people specifically looking for This Thing, it has a moral obligation and, at the very least for me, it can be judged and should be judged for the things where I say “ship and let ship!”.

Let’s take a different example. Say there is a pairing you really hate in the fandom. You just… don’t get it. That’s fine, unless you’re a dumbass anti, you can just blacklist the tag, filter it out, not actively seek it out. You have no right to bitch and moan about this ship because you can avoid it. If now the show decides to make this very ship canon, then - you can no longer avoid it, there is no way to filter out those scenes from the show. Congratulations, you now have earned the right to bitch and moan about it.

Fandom and what is in your head are a vastly different thing from what is actually canon. Very, very often, when something is canon, it becomes unnecessarily glorified.

Take the Joker and Harley Quinn, for example. They’re canon. They’re unhealthy as can get. They were never meant to be romantized. Their creators and even actors and writers keep saying so. But since they’re canon, there’s a chunk of fandom that does romantize them and are now “looking for the Joker to my Harley”, which is just a mortifying thing to want because he literally breaks her body and mind.

And now, to get to the actual example that you sent in your ask.

For one, book!Alec is literally 17 when Magnus hits on him and it is gross, gross, gross. I’m studying to become a teacher. I spent last semester at a school to sit through classes as an assistant and actually teaching a couple classes myself. The students were 17. I’m not 400, I was 26 at the time. Just nine years their senior, but all I could see were children.

17 year olds are children. Their behavior is endearing and childish. The way they prip and preen and act like they’re super strong by talking back to the teacher just to earn the respect of their fellow students. How the boys had constant dick-meassuring contests. How the girls kept giggling in flocks.

I know every single 17 year old - or younger - reading this is currently fuming because you perceive yourself as very grown up. To which you have the right.

But if you’re actually older, if you literally go from attending college classes to sitting through high school classes as a teacher, you can see it.

The thought that any adult ever could see a 17 year old as anything but a child is gross and disgusting and just so very, very wrong.

So the thought that a 400 year old immortal looks at a 17 year old and thinks “Mmm, yummy” is just really twisted. Because we’re not talking about 40. We’re talking about four hundred. It’s just insane that such a matured and sophisticated being would look at a half-child and think “I should totally hit on that”.

In a published medium. Because for many it feels like a justification. It is now morally okay. It is being romantized in this published medium and it then gives people the false sense of this being morally right. Makes 17 year olds and younger feel like that’s an appropriate age to be persuit by adults, because oh, it’s in this book/movie/show and they make it look romantic, so if it’s majorly published and wildly accepted, then it has to okay.

I ship Percy with all the gods. I take disgusted offense in Leo and Calypso being canon, because he’s a child and she’s a millennia old immortal.

I write teacher/student fics. I literally nearly puked during Riverdale when Archie’s teacher seduces and thus rapes him.

I wrote a shit-ton of purposefully unhealthy BDSM fics because those were literally just meant to be porn. I spent hours that sum up to days by now ranting and raging against 50 Shades of Abuse.

There is a fundamental difference if something is done on the internet, on a platform where it will be found only by like-minded people, people who are more likely to actually grasp and fully understand the medium, or if it is a canon thing that will be shoved down the throats of unwilling participants.

In fanfiction, people who already think that those two characters who might have a very questionable age difference would be a cute couple, will be able to find content to exactly those, while the people who do not agree can (in theory, though antis seem fascinatingly immune to the concept) just blacklist tags and not venture into those corners of the fandom.

I don’t like Loki and Thor as a ship, it’s a hard no ship for me. I have the tags blacklisted and literally have to never-ever read anything about them or look at them. I don’t judge people who do ship them, I’m just… blissfully unaware of them because I literally am not confronted with any kind of content about them. That would change drastically if Marvel suddenly decided to make them canon.

I have blacklisted and filtered out the Magnus and Alec relationship tag, the Leo and Calypso relationship tag, for examples. I do not ever have to look at any GIFs, fanarts, fanfiction or general posts about them. When I read Heroes of Olympus because I liked the characters and wanted to know how it ends, I had no option of just filtering out the Leo and Calypso story. Now that I’m reading The Mortal Instruments, I can not just filter out the scenes where the centuries old warlock is hitting on the 17 year old Shadowhunter.

Because that’s not how books, TV shows or movies work.

That’s how the internet and fandom life work.

And that is what makes the difference.

Now, I really do hope I brought my point across and you might understand why I hold canon shipping and fanon shipping to two vastly different standards?

[nevermindirah]

Do you have any thoughts on the use of AAVE for Nile (or lack thereof) in TOG fanfiction? I've been reading some Book of Nile fic and some writers seem to write her as a Millennial™ (using words like "fave" and "woke") but never acknowledge her Blackness in her patterns of speech. I know we don't see her use as much AAVE in the films, but I would argue she's in situations where code-switching would be valued (first in a "professional" environment in the army, then around a group of non-Black strangers).

Hi anon! I have many thoughts on this and I'm honored you asked me! But I should start by saying I'm white and any thoughts Black fans and especially Black American fans have on this that they want to share would be beyond lovely. (I'm not gonna tag anybody bc that feels rude but please add onto this post if any of y'all see this and want to!)

The main reason I personally avoid AAVE for Nile in my own fics is because I'm not Black. But Nile-centric fics by Black writers tend to avoid using much of it too, at least from what I've noticed/understood, and my guess is it's largely for the reason you mention, that she's in situations that encourage code-switching.

In movie canon Nile is highly competent at tailoring her language to each situation she finds herself in. This fantastic linguistics analysis meta shows how skillfully Nile chooses her vocabulary and grammar to meet her goals with different conversation partners in different contexts. In comics canon Nile had a bunch of different civilian jobs before joining the Marines, so she would've had experience code-switching in the ways that made sense for all those different contexts as well as the Marines and her family and high school and wherever else she spent her time before we met her. And now she's spending her time with a handful of immortals none of whom are native English speakers and a fellow Black American but one with a Queen's English UK accent whose professional experience is in the CIA where high-status code-switching is often an absolute must for success or even survival.

Fics featuring Nile are charged with extrapolating from that to how it might show up in her use of language that she's coping with a traumatic separation from her family and her career and pretty much everything she's ever known and now she needs to be able to make herself understood to people who seem to care about her and each other but are super duper in crisis, three (soon to be four) of whom predate Modern English entirely and the only one who's anywhere near her contemporary she's not supposed to talk to for a century. All of these people are telling her that pretty much any contact with any mortals poses an existential threat to her and the rest of the group. How the FUCK is she supposed to cope with that, like, generally? And would it be a more effective way for her to cope if she talked to Andy Joe and Nicky using the speech patterns that she used to use with her mom and brother, to at least retain that part of her identity even if it means having to do a lot of explaining, or would it meet her needs better to prioritize Andy Joe and Nicky understanding what she means with her words over using the particular words and grammar forms she used with her family?

I've seen several fics, both Nile-centric / BoN and otherwise, explore this a little bit in how/whether Nile uses Millennial™ speak. It's often a theme in Nile texting Booker despite the exile because of the popular headcanon that he as The Tech Guy is the only other immortal who understands memes. But Nile's much-younger-than-Booker mom probably uses Boomer and/or Gen X memes and Andy has been adapting to new communication styles for forever as evidenced by her canon high level of fluency with standard-American-accented English.

Which brings us back to people avoiding AAVE because they're not Black and they don't want to make mistakes (or they're not Black and they don't want to get yelled at for making mistakes, though I think many people overestimate how much they'll get yelled at while underestimating how much these mistakes can hurt). I can imagine some Black fans hold back from using much AAVE in fic because they don't want to share in-group stuff with white people who are likely to then adopt and ruin it, as white people so often do with Black cultural stuff. Some links about this including a great Khadija Mbowe video. I'm saying this gently, anon, because you might not know: woke, an example you cited as Millennial™ speak, is AAVE, and that's gotten erased by so many white people appropriating it and using it incorrectly online.

And also there's the part where fandom is a hobby and you never know when you're reading a fic that's the very first thing someone's ever written outside of a school assignment. This cultural considerations of language shit takes a level of effort and skill that not everybody puts into every fic, or even could if they wanted to because they haven't had time to build their skills yet. It's definitely easier for non-Black fans to project our millennial feels onto Nile than to do the layers of research and self-reflection it requires to depict what Blackness might mean to Nile, and it's not surprising that often people sharing their hobby creations on the internet have gone the easier route. There's not even necessarily shame in doing what's easier. It's just frustrating and often hurtful when structural white supremacy means that 3-dimensional Black characters are rare in media and thoughtful explorations of them in fandom are seen by the majority of fans as not-easy to make and therefore Nile Freeman, the main character in The Old Guard (2020) dir. Gina Prince-Bythewood, has the least fic and meta and art made about her of our 5 main immortals.

I've been active in different fandoms off and on for twenty years and I barely managed to write 5,000 words about Sam Wilson across multiple different fics in the 7 years since I fell in love with him. There's an alchemy to which characters we connect with, and on top of that which characters we connect with in a way that causes us to create stuff about them. Something about Nile Freeman finally tipped me over the edge from a voracious reader to a voracious writer. It's not for me to judge which characters speak to other individuals to the level of creating content about them, but I do think it's important for us to notice, and then work to fight, the pattern where across this fandom as a whole Nile gets way less content, and way less depth in so much of the content that's in theory about her, than any of these other characters.

Anyway, back to language. My two long fics feature Nile with several Black friends — Copley and OCs and cameos from other media — but all of those characters except Alec Hardison from Leverage aren't American. It's very possible I'm guilty of stereotyping Black British speech patterns in I See Your Eyes Seek a Distant Shore. I watched hours and hours of Black haircare YouTube videos in the research for that fic and I modeled my OCs' speech patterns on what I heard from some of those YouTubers as well as what I've heard people like John Boyega and Idris Elba saying in interviews, but the thing about doing your best is you still might fuck up.

I'm slowly making progress on my WIP where Nile and Sam Wilson are cousins, and what ways of talking with a family member might be authentic for Nile is a major question I need to figure out. For that, I'm largely modeling my writing choices on how I hear my Black friends and colleagues talking to each other. I haven't overheard colleagues talking in an office in a long-ass time, but back when that was a thing, I remember seeing a ton of nuance in the different ways many of my Black colleagues would talk to each other. Different people have different personalities! And backgrounds! And priorities! A few jobs ago my department was about 1/3 Black and we worked closely with Obama administration staff many of whom were Black and there was SO MUCH VARIETY in how Black people talked to each other, about work and workplace-appropriate personal stuff, where I and other white coworkers could hear. There are a few work friends in particular who I have in my head when I'm trying to imagine how Sam and Nile might talk to each other. From the outside looking in, God DAMN is shit complicated, intellectually and interpersonally and spiritually, for Black people who are devoting their professional lives to public service in the United States.

One more aspect of this that I have big thoughts on but I need to take extra care in talking about is the idea of acknowledging Nile's Blackness in her patterns of speech. There's no one right way to be Black, and Nile's a fictional character created by a white dude but there are plenty of real-life Black Americans who don't use much or even any AAVE, for reasons that are complicated because of white supremacy. (Highly highly recommend this video by Shanspeare on the harms of the Oreo stereotype.)

Something that's not the same but has enough similarity that I think it's worth talking about is my personal experience with authenticity and American Jewish speech patterns. My Jewish family members don't talk like they're in The Marvelous Mrs. Maisel, and I've known lots of people who do talk that way (or the millennial version of it), some of whom have questioned my Jewishness because I don't talk that way. That hurts me. Sometimes when another Jew tells me some shit like "I've never heard a Jew say y'all'd've," I can respond with "well now you have asshole, bless your Yankee-ass heart," because the myth of Dixie is a racist lie but I will totally call white Northerners Yankees when they're being shitty to me for being Southern, and this particular Jew fucking revels in using "bless your heart" with maximum polite aggression, especially with said Yankees. But sometimes I don't have it in me to say anything and it just quietly hurts having an important part of me disbelieved by someone who shares that important part of me. The sting isn't quite the same when non-Jews disbelieve or discount my Jewishness, but that hurts too.

Who counts as authentically Jewish is a messy in-group conversation and it doesn't really make sense to explain it all here. Who counts as authentically Jewish is a matter of legal status for immigration, citizenship, and civil rights in Israel, and it's my number 2 reason after horrific treatment of Palestinians that I'm antizionist. But outside that extremely high-stakes legal situation, it can just feel really shitty to not be recognized as One Of Us, especially by your own people.

It can also feel really shitty to be The Only One of Your Kind in a group, even if that group is an immortal chosen family who all loves each other dearly. Sometimes especially in a situation like that where you know those people love you but there are certain things they don't get about you and will never quite be able to. I'm definitely projecting at least a little bit of my "lonely Jew who will be alone again for yet another Jewish holiday" stuff onto Nile when at the end of I See Your Eyes Seek a Distant Shore she's thinking about being the only Black immortal and moving away from the community she'd built with a mostly-Black group of mortals in that fic. Maybe that tracks, or maybe that's fucked up of me.

Basically, this got very long but it's complicated, writing about experiences that aren't your own takes skill which in turn takes time and practice to build, writing about experiences not your own that our society maligns can cause a lot of harm if done badly, it can also cause a lot of harm when a large enough portion of a fandom just decides to nope out of something that's difficult and risky because then there's just not much content about a character who deserves just a shit ton of loving and nuanced content, people are individuals and two people who come from the exact same cultural context might show that influence in all kinds of different ways, identity is complicated, language is complicated, writing is hard, and empathy and humility and doing our best aren't a guarantee of avoiding harm but they do go a long way in helping people create thoughtful content about a character as awesome and powerful and kind and messy and scared and curious and WORTHY as Nile Freeman.

[ectonurites]

wfa doesn’t bother me in the same way that inaccurate fanfiction doesn’t bother me

Valid! Though we differ here because inaccurate fanfiction does tend to bother me (not in a ‘ugh this shouldn’t exist and is inherently bad’ way bc that’s dumb fanfic is for fun, but just in a ‘ah. this actively frustrates me, thus is just not for me’ way) but even that aside I see WFA as like… something that should be a few steps closer to canon than fanfic is to begin with (since it is DC sanctioned even though it’s not going through all the same channels or part of main canon).

Like, since WFA isn’t just a fanmade thing I hold it to a bit higher standard, while bearing in mind the general premise/tone (like… obviously it’s lighthearted, I wouldn’t be expecting the tone of main canon) which is why the things that sometimes bother/annoy me are like always about characterization rather than plot. Especially like, I’m someone who buys the fastpass- so I am putting a tiny bit of money actually towards the comic, which means I’ll definitely discuss what bothers me when it does in ways that I would not publicly do about a random person’s fanfic (even it was similar stuff present in both that bothered me).

[emotionallyits2009]

deancas fic rec list!

hello everyone! happy christmas to those who celebrate it, my gift to you is my fic rec list that i said i would make like a month ago. the only thing it is organized by is canonverse vs alternate universe. tried to cover a variety of subjects but there are in particular many fics of the genre “postcanon where cas is human and he and dean live together and slowly finally get their shit together” because i know what i’m about, son. HOPE U ENJOY. and if you wanna talk about any of them or rec me other fics please do. :) 

Canonverse:

where the weeds take root by deathbanjo, 30k, explicit “Are you happy? Y’know. Just—being here,” Dean says, gesturing to the yard with his beer bottle. “Being with—I mean, you used to fight in celestial wars and—and save the world. Now you’re growing vegetables and talking about chickens.” There are many fics set in a post-canon universe where Cas is human and he and Dean live together and slowly fall into a relationship. Imo this one is the best of the best of that genre. This was one of the first fics I read back in July when I was getting Back Into Supernatural where I was like oh fuck I’m like in this. Dean builds Cas planters and bookshelves and a chicken coop and they fight and work through it.

Cuckoo And Nest by komodobits, 10k, explicit For a long time, Castiel thought that every earthly possession other than the immediately necessary was excess to requirement. But Dean – Dean who named his car, who keeps a photograph of his mother in his wallet, some thirty-plus years after her death, who still has the crumpled ‘Do Not Disturb’ sign with a sleeping pelican emblazoned on it from the Microtel outside of Roanoke where he first kissed Castiel, clumsy and unsure, under the unsteady fluorescence of an exhausted bathroom bulb – is sentimental. It puzzles Castiel, where Dean draws the line between what is meaningful and what it is worthless. Really Gets the dynamic of Cas doesn’t think Dean wants him to stay/Dean thinks Cas will leave the first chance he gets. Also a nice example of Cas thinking he’s not wanted if he’s not useful/powerful and being told otherwise. Another all-time fave!

lonely hearts by outphastthemoat, 4.5k, gen He thinks he might give up having his own anything just to be able to step foot inside the room next door and sit on the edge of Dean’s bed instead. This one is for the CAS GIRLS who know what LONELINESS feels like.

Helionneiros by aeli_kindara, 24.2k, mature In which Dean visits his mother, and Claire takes Cas on a hunt. I’m always on the lookout for more fic with Claire and Jack. Jack doesn’t show up until the end here but the relationship between Cas and Claire is really nice.

Crawl by aeriallon, 11k, explicit It’s been almost four years since Castiel left Kansas; he'd eventually settled in an island town where he has a job, a house, and a life without the Winchesters. Every winter, Dean drives down to the coast to see him. Another fic where Cas is human but in this one he took some time for himself and got some distance from the Winchesters! He gets to be competent and weird as a human and we love that for him. I must warn you all that this fic contains one use of the phrase “making love” which would normally put me right off but it’s still worth reading. The first of a three-part series.

home where you hold me by microcomets, 1.6k, gen Cas and Dean, in the moments between their battles, ache for quiet spaces. Technically this is a coda to 10x20 but you don’t need the episode for context. Short and very sweet.

Build a Home by domesticadventures, 20.1k, teen After they save the world, Dean expects Cas to come back to the bunker with them. He doesn’t. This one is so cute it’s like what if once they were done saving the world Sam and Dean actually invited other hunters to move into the bunker with them. Obviously Dean wants that to include Cas but doesn’t know how to use his words.

the taste of gravel in the mouth by deathbanjo, 22.4k, explicit This is what Cas gave up Heaven for: greasy diner food, shitty motel rooms with even shittier cable, long car rides spent in complete silence except for the same six tapes playing over and over again, and a burnt-out husk of a man who can barely hold a conversation anymore. Angst fic! They go on a road trip and Dean is severely fucked up post-Mark of Cain.

Unknown Quantities by xylodemon, 8.6k, explicit No one ever tells Dean anything. Another nice getting-together fic.

Creature of Habit by trinityofone, 5.2k, teen The more you love someone, the more you want to kill them. Or: How Cas developed some bad habits, and Dean coped surprisingly well. This one is ancient by destiel standards (written during season 5) but it manages to nail the married couple vibes they give off in later seasons. Cas is a bitch and Dean likes him so much. <3

The (Mostly Accidental) Courtship of Dean Winchester by Tuesday, 11.2k, mature Angelic marriage rites were never intended to go quite like this. Another old one that is a lot of fun! They get Accidental Angel Married and if you don’t enjoy dumb fanfiction tropes like that I don’t know what to say to you.

Vena Amoris and Other Old-Fashioned Bullshit by pyrebi, 4k, teen In which angelic marriage bonds are apparently stupidly easy to trigger, Cas wages multidimensional war in Heaven, Dean can't catch a break like ever, Sam rather enjoys being a dick, love saves the day, and nobody consummates anything. The OTHER accidental angel marriage fic written in 2010. 

Crazy Diamonds by pantheon_of_discord, 24.8k, explicit A week ago, Dean was pulled out of Hell. Now, he’s apparently woken up in 2018, and the angel that a mere twenty-four hours beforehand had threatened to chuck him back into the pit is sleepily pouring himself coffee and wearing Dean’s second-favourite Zeppelin shirt. It all seems like a perfect happy ending, but with Hell’s scars still so fresh, Dean can’t imagine how he could have possibly gotten there. At the same time, the Dean who went to sleep in the bunker, right next to Cas, wakes up on Bobby’s couch in 2008. He’s instantly bombarded with questions by a Lilith-obsessed brother and a man who’s been dead for years, and must decide between keeping his finally-perfect life intact, and the lives he could save by re-writing history. Regardless of these choices, both Deans are trapped in the wrong decade, and their only way back lies with a Castiel still very much under Heaven’s thumb – one who might find the future Dean describes difficult to believe. Time travel is FUN. There’s an excellent part where (minor spoilers) future!Dean is like, “Guess what, asshole? You like me so much you marry me!!!!!!!!!!!” to 2008!Castiel that made me laugh out loud the first time I read it. Also just a good reminder of how most problems in life are temporary and if you could go back in time to talk to your younger self you’d be like, “Hey man. Chill out. You get through it.”

The Path of Fireflies by museaway, 63.7k, mature After his humanity is restored, Dean wakes up in bed with Castiel, a wedding ring, and no memory of the past twelve years. There’s a lot of amnesia fic and djinn fic out there were Dean wakes up ~suddenly together with Cas~ but I like this one in particular because he’s initially very confused and kind of a dick about it until he acknowledges that being with Cas makes him happy.

take the long way home by dothraki_shieldmaiden, 95k, explicit Three months ago, when Dean decided to retire, he thought his life was going to end up differently. He'd thought that he might get to have it all, Sam, Cas, Jack, and nice little place to live. Instead he gets Sam and Jack off on their Summer of Love Tour, radio silence from Cas, and a never-ending road trip consisting of himself. Still reeling from the loss of his grace, Castiel travels the country in search of hunts. Driven by a need to prove his usefulness, he pushes himself beyond all limits of endurance. Together, with the help of a few friends, a crumbling Victorian house, and a stray cat, Dean and Castiel patch themselves back together and create a home together. Do you wanna read almost one hundred thousand words of Dean and Cas having extremely intense feelings but refusing to voice them aloud? Haha of course you do that’s why you’re here. There’s also a lot about Cas adjusting to being human and being depressed about it which might resonate if you’ve ever felt weird about having a body. To be honest the author could stand to use a few more commas but there were also half a dozen moments that made me put my phone down and drag my hand slowly over my face and whisper “oh my god” to myself which is like, the ultimate measure of a good fanfiction so it gets to be on the list.

like moses and batman and james dean by saltyfeathers, 31.6k, explicit dean used to turn tricks. over a decade later, he met cas. Have you seen the fanon (apparently pioneered by Mr. Jackles “Original Deankin” Ackles himself) that Dean used to prostitute himself to feed himself and Sam when they were younger? Are you interested in exploring that concept in fanfiction? Well, this is the only fic you need. Mind the tags on this one! It’s not what I’d call happy but it’s good.

Some Assembly Required by narrow_staircases, 47k, mature It’s September of 2005, and Dean Winchester, in an attempt to outrun old mistakes and painful memories, finds himself in southern Kentucky on a wild goose chase. He’s completely certain this weird religious movement he’s “investigating” is a hoax, despite the miraculous healings people report, and he’ll be back on the road in a day or two. Things are looking up when he meets Cas, an awkward (and gorgeous) graduate student who’s actually doing honest-to-god research into the local tent revival meetings. When that research takes a weird and personal turn, Dean’s left to face two very serious realities: one, this may be a real case after all, and two, he’s fallen way harder for Cas than he should ever have let himself. Stanford-era AU of Dean trying to avoid his father and getting in over his head on a case.

Alternate universe:

And This, Your Living Kiss by opal_bullets, 57k, mature Only a very few people in the world know that the celebrated and reclusive poet Jack Allen is just Kansas mechanic Dean Winchester, a high school dropout with a few bucks to his name. Not that it matters anymore; life has left him so wrung out he never wants to pick up another pen. Until, that is, a string of coincidences leads Dean to auditing a poetry course with one Dr. Castiel Novak. The  professor is wildly intelligent, devastatingly handsome...and just so happens to be academia's foremost expert on the poetry of Jack Allen. Mundane AUs in this fandom have to be really, really good to catch my attention and this one is! It’s exactly what it says in the summary and the characterization is spot-on. 

Out to Drift by deathbanjo, 20.9k, mature Dean drives a black car with a loud engine. He lies too easily. He keeps a gun in the back of his jeans, and Castiel isn’t sure, but he wouldn’t be surprised if Dean has killed someone before. Two people in fucked-up unstable situations meeting and forming a connection. Honestly guys I really just love deathbanjo.

[everwitch-magiks]

RWRB Fics Roundup

Hey y’all! Once upon a time I had the ambition to post links on here to all the fics and new chapters that I publish on AO3, and I think it’s safe to say that I’ve been an absolute disaster at that over the summer. In my defense I’ve just had so much to write, but that’s not much of a defense seeing as it doesn’t take ages to chuck a link on here. Anyhow. Bottom line is, I’ve severely neglected it, and it’s gotten to a point where I’m just gonna make a post with links to everything I’ve written since June (ish) for you to peruse, so you can see if there’s one that you didn’t catch wind of that catches your eye now. Neat, huh?

So, without further ado, the links! The fics! Let’s go.

Completed works

Love At First Bark General Audiences, AU, tooth-rotting fluff. 3K. “I still don’t know your name, do I?” Henry watches Alex where he’s crouched down in front of David and gently scratching David below his chin. David absolutely loves Alex. Henry can relate. “It’s David,” Henry supplies. “Cool,” Alex says. “And what’s the dog’s name?” Henry blinks at him. “... David?” “What?” Alex exclaims. He looks from David to Henry and then back at David again. “Wow, okay, that is a choice.” Henry wants to sink through the earth and never come back up again.

Shameless Explicit, AU, Henry has a reputation. 14K. Henry has a lot of sex. A lot. He's young and in college and there is no shortage of men to fall in bed with. What better time to explore what he likes and what he fucking loves, as well as to catalogue how to make his many, many partners feel as good as possible? It’s all part of the learning experience. And Henry is a very dedicated student.

Alex has been inescapably aware of Henry ever since that one time they kissed. You don’t just stop being aware of the guy who basically caused your sexuality. So when Henry propositions Alex at a lame frat party, Alex accepts eagerly. Maybe this is exactly what he needs. Maybe, if he can just have Henry once, he’ll have a better chance of finally getting over his embarrassing fixation with Henry. It's worth a try.

When The Time Is Right Part four of my sex club series. Explicit, AU, dom Henry and sub Alex. 16K. “Maybe I could challenge you more,” Henry suggests, his eyes carefully trained on Alex. “And hold you accountable for longer. How does that sound?” “That sounds fucking amazing,” Alex tells him, the words coming out in a rush. “Yes. That. Please.” “Alright, then.” Henry offers him a sly grin. “Alex, love. You just gave me a wonderful idea.” It’s really something, how quickly Alex’s heartbeat picks up. “Oh? Do tell.” Henry’s grin widens. He looks alarmingly pleased with himself. “How would you feel about a staycation?”

When Alex asks Henry for something a little more intense in the bedroom, they end up taking more than just their sex life to the next level.

Out For A Bite Explicit, AU, suspense and supernatural elements. 3K. Henry's eyes fly up, zeroing in on the reflection in the mirror. There, behind him. The man from the bar. He looks different in the fluorescent bathroom lights. Sharper. There’s a look in his eyes that has Henry shivering all over again. It's greedy. Hungry.

He’s staring right at Henry.

Henry's throat feels dry. His heart beats madly. He's heard whispers of this place, and more importantly of its patrons. He thinks he knows what this man is.

ever fallen in love (with someone you shouldn’t have fallen in love with) Explicit, AU, Alex and Henry in DIY Punk & mainstream pop punk, respectively. 34K. Teenage music sensation Kensington have taken the world by storm. With their cool leather jackets and wickedly distorted guitars, they're a pop duo that packs a punch. Or at least they sound like one—their lyrics unfortunately lack any semblance of depth. Alex can't fucking stand Kensington. But thankfully, he doesn’t have to. He’s not likely to cross paths with those British pop losers during his final semester of high school in Texas. And even if he did, he'd never let some stupidly attractive blonde take his focus away from the goal that Alex has worked towards for years: winning the Austin Band Slam with his latino punk trio.

But when Henry comes crashing into Alex's life, with his intriguing piano pieces and piercing blue eyes and slow, purposeful kisses that make Alex burn with want, Alex finds that he might need to reevaluate his stance on both pop losers and distractions. Or maybe not. Maybe he’s better off keeping Henry at arm's length, since it's so painfully evident that Henry will never love him back.

Never Tell Me The Odds Teen and Up Audiences, canon verse, an outside perspective on First Prince as well as a story about a certain Star Wars mural. 2K. "Wait!" Alex yells up to the driver. "Stop! Stop the car!" Up close, it's beautiful. Two stories tall. He can’t imagine how somebody was able to put together something like this so fast.

Ash had never imagined that they'd get the chance to actually meet Alex Claremont-Diaz, and much less get the chance to tell Alex about how that very special Star Wars mural came to be. Although of course, Ash never would have met Alex if it hadn’t been for Farida. Farida and her bold courage, and her warm compassion, and her sometimes infuriating (but always endearing) stubbornness.

yrs. faithfully (with nowhere to go) Explicit, canon verse, a lazy morning in bed leads to something more. 3K. When Alex and Henry wake up together the day before their anniversary, they're genuinely planning on getting out of bed and spending the day as productive members or society. Truly, their intentions are honorable. But a trip down memory lane gets them reminiscing about that night exactly one year ago, when Alex had come running through the rain to deliver some choice words about obtuse fucking assholes.

As Alex and Henry start to relive the memory, they quickly realize that they both remember it intimately. So intimately that they might be able to pull off something of a do-over.

Gadgets and Gizmos A-Plenty A companion piece to dearest Hattie’s soulmate fic. Mature, AU, a look into Henry buying sex toys. Yes. That’s the fic. 2K. There’s a bunch of regulars that Amir knows by name (and, unavoidably, by kinks), but most often Playtime gets one-time visitors. Which makes sense, really. A lot of people don’t seem to want to step into the same adult toy shop twice. So Amir is always a little extra curious when there’s a repeat customer, especially one who is this attractive. And, interestingly, one who’s come back so soon.

The tall, classically handsome man with blond hair and blue eyes left Playtime no less than five hours ago after having purchased a medium-sized, fairly standard vibrator well suited for anal play. And now he’s back. Because apparently, he’s found he needed another vibrator.

If Sex Was A Sport We’d Be Winning Mature, AU, a classic Olympics hookup. 3K. It's remarkable, truly, that Alex didn't even want to be here. He only came all the way to Ariake because June was determined to watch a bunch of prissy ponies strut around to music. Still, perhaps the true Olympic experience lies in the wide variety of disciplines. Or, perhaps, it has something to do with chatting up a pretty blond behind the stables and getting him to show you the inside of an Olympic tack room. As Alex quickly takes to Henry’s sweet smiles and easy confidence, he realizes that just a few stolen moments with this man might turn into his most cherished memory from the Tokyo Olympics.

Alex knows better than to get attached, though. He and Henry live an ocean apart. There’s no way this quick fumble in the stable equivalent of a supply closet could ever lead to anything more. Right?

Talk Dirty To Me Explicit, AU, dom Henry and sub Alex. 9K. Henry studies Nora’s expression for a moment. There’s something about her favourable account of this guy she claims not to want to sleep with again that doesn’t add up. "But you're still not interested in taking him on?"

"He wants more than I'm willing to offer," Nora says frankly. Henry’s always liked this about her—how she doesn’t skirt around the hard facts. It's a part of what makes her so good at dominating. "But you know what? For you, he'd be kind of perfect."

Henry has been active in the local BDSM scene for years and there’s no shortage of men who’d love nothing more than to find themselves at his mercy. But Henry is on a break. He’s not looking for a new partner, but he’s also not expecting to become so intrigued by the man that Nora insists he should meet. Alex is a newcomer on the scene who doesn’t yet know exactly what he wants, much less with who. There’s no way that he could turn out to be exactly who Henry needs. Right?

Date night (please toy with me) Explicit, canon verse, a night out leads to some fun with a toy. 4K. This… this is new. They’ve talked about trying this, about what it’d be like to conceal some of their intimacy in plain sight, about what it would feel like to try and reclaim what is most private to them by flaunting it without anyone even knowing, by daring to take risks again. They’ve agreed that they’d still need to be careful, but they’ve also agreed that it would be interesting. That it would be fun.

And apparently, Henry thinks tonight is the night for it. “Do you trust me, love?”

“Yeah.” Alex swallows. He picks up the box, studying it for a moment. “Do you want… what do you want me to do?”

“I want you to go to the bathroom,” Henry says evenly, “You’ll find everything you need in the box. Then I want you to come back and sit down. Can you do that for me?”

“Yeah. Of course.” Alex taps the box, grinning in Henry’s direction. “I expect we’ll be leaving soon?”

Henry smiles slyly. “If you’re good, yes.”

Ongoing works

Hashtag Soulmates Mature, AU, Henry writes fanfiction. 23K and 7 chapters so far. Alex is perfect and handsome, the golden boy, everybody’s secret crush. So there is absolutely no way that he is the reader who screeches in caps lock every time that Henry posts as much as a drabble. There’s no way. Except Alex just closed his browser fast as fucking lightning, but not before Henry had gotten a good glimpse of the page Alex had open: AO3. ‘Don't Stop Me Now’, Henry’s current wip. The one that Henry literally just updated.

Sweet Jesus. Could it really be?

That... is all! It’s been a productive summer. I’m very excited to continue writing Hashtag Soulmates, and also to start working on a few upcoming First Prince fics that I’m planning on writing. Stay tuned for fics! ♡

[comedicreliefonlyworkswhenfunny]

I am against the "Americanization" of fandoms.

What this applies to

Holding non American characters (and sometimes even fans) to an American moral standard. This includes

Refusing to take into account that, first things first, America is NOT the target audience, so certain tropes that would or would not pass in the west are different in Japan.

Like seriously, quite a few of the jokes are just not going to pass or hit, because they require background information that is not universal.

Assuming all American experience is standard. (This could mean watering down just how much pressure is placed on Japanese youth irl by saying that sort of thing is universal (while it is, to a degree, Japanese suicide rates are pretty fucking high because of how fast paced and work heavy some of their loads tend to be), and it's really annoying and rude when someone is trying to speak out about how heavy and harsh the standards are placed on them to succeed just for some American whose mom occasionally yells at them to do their homework dropping by to say "it's like that everywhere")

Demonizing (or wubbifying) a character using American morals, including and up to harassing fans over their interpretations or gatekeeping whether or not a character "should" get development (while you shouldn't do that fucking period, it's rude and annoying- this is specifically for the people who use American standards without acknowledging the cultural gap between them and, you know, the fucking target audience) ((Like seriously, saying "It's different in Japan" is not the end all be all excusing someone's actions, but sometimes the author didn't immediately think that maybe (insert vaguely universal thing) was that bad or that heavy of a topic before they put it into their media. If you don't want to see things like that? Pick a different series and stop harassing the fans))

Getting mad at or making fun of Japan's attempts to satirize their own culture. (A good example is Ace Attorney! To most of us, it's just a funny laugh can you imagine if courts were actually like that- guess what? Japan's are! (Not that America's are actually that much better, they just look good on paper))

Making America/American issues the center of your fan spaces

(Usually without sharing or bringing light to the issues that other countries are going through)

Your

Experiences

Are

Not

Univseral!

Seriously, very few things across America, even, are universal. Texas things the hundreds are nothing while Minnesota's like "oh it's only thirty degrees below zero"- so for fucks sake, stop assuming that all other countries work in ways similar to America.

It's good and important to share Ameican issues with your American followers, but guess what? America isn't the only country out there, and it's certainly not the only one going through bullshit. Don't pull shit like "why's no one reblogging this?" or "why should I care about what's happening in (X country)?"

Don't assume everyone lives in America.

Stop assuming everyone lives in America.

America is not and has never been the target audience for anime, and it's certainly not the only country outside of Japan that enjoys it.

Like I said above, sometimes Japan attempts to satirize its own culture. We can't tell what is and isn't meant as satire, because it's not our culture.

Social media activism can be tiring and maybe you don't have the energy to focus on things that are out of your control, but, if someone tells you about the shit they're going through, don't bring American politics up.

For the neurodivergent crowd out there thinking, "But why?" it's because a lot of social media, especially, is very heavily Americanized- sometimes to the point where people assume that everyone is American. Not to mention, it's disheartening. I'm sorry to say, but you're not actually relating to the conversation, you're often diverting the focus away from the topic at hand. Even if you mean well, America is heavily pedestaled and talked about frequently, and people from other countries are tired of America taking precedent over their own issues.

Don't divert non-American issues into American ones. Seriously. It's not your place. Please just support the original issue or move on.

Racist Bullshit

This especially goes for islanders and South Asian characters, as well as poc characters (because, yes, Japan DOES have black people)

Making "funny" racist headcanons. Not fucking cool.

Changing the canon interpretation of an explicit character of color in order to fit racist stereotypes.

Whitewashing or color draining characters. Different artistic skill sets can be hard, yes, but are you seriously going to look at someone and say "I don't feel like accurately portraying you or people that look like you, because it's difficult for me." If someone tries to correct you on your cultural depiction of a character and/or their life style, don't be an ass. (If possible, it would be nice for those that do the corrections to be polite as well, but it does get really frustrating).

Seriously, no offense guys, but, if you want to persue art, you're going to need to learn to depict different body types, skin colors, and/or ethnic features.

On that note, purposefully, willingly, or consistently inaccurately portraying people or characters of color (especially if someone in the fandom has "called you out" or specifically told you that what you're doing comes across as racist and you continue to do it). If you need help or suck at looking things up, there are references for you! Ask your followers if they have tutorials on poc (issue that you're having), whether it be bodily portrayal, facial proportions, or coloring and shading. Art is so much more fun when you can depict a wider variety, and guess what? Before you drew the same skinny, basic, white character over and over, you couldn't even draw that!

Attempting or claiming to DEPECT CULTURAL ACCURACY within a work or meta, while being completely fucking wrong. ESPECIALLY and specifically if someone calls you out, and you refuse to fix, correct, or change anything.

*little side note that the discussion revolving art is a very multilayered conversation, and it has quite a few technical potholes, which I'll bring up again farther into this post.

Fucking history

Stop demonizing or for absolute fucks sake wubbifying Japanese history because UwU Japan ♡0♡ or bringing up shit like "you know they sided with Nazis, right?" It's good to recognize poor past decisions, but literally it's not your country keep your nose out of it. And? A lot of decisions made by countries were not made by their general peoples. Even those that were, often involved heavy propaganda that made them think what they were doing was right.

Seriously, it's not your country, not your history. Unless you have some sort of higher education (but honestly even then a lot of those contain heavy bias), just don't butt in.

^^^ this also goes to all countries that are NOT Japan (specifically when people from non American countries talk about their history while in fandoms and someone wants to Amerisplain to them why "well, actually-"). When we said, "question your sources," we didn't mean "question the people who know better than you, while blindly accepting the (more than likely biased) education you were given in the past."

What this does NOT include:

Fanfiction

FANfiction

FanFICTION

FANFICTION.

Seriously, fanfiction is literally UNPAID WORK from RANDOM FANS- a lot of which who are or have started as kids. ((No, I'm not trying to excuse racist depictions of people just because they're free, please see above where I talk about learning to grow a skill and how it's possible tone bad and get good, on top of the fact that some inaccuracies are not just willful ignorance))

"Looking it up" doesn't work

"Looking it up" almost never works

Please, for fucks sake, you know that most all online search engines are heavily biased, right? Not to mention, not everything is universal across the entirety of Japan. You want to look up how the school system works in Hokkaido? Well it's different from the ones in Osaka!

Most fanfiction is meant to be an idealized version of the world. Homophobia, transphobia, misogyny, ableism, and racism are very prevalent and heavy topics that some fan authors would prefer to avoid. (Keep in mind, this is also used by some people in those minorities often because thinking about how relevant those kinds of things are is to them every day).

A lot of shit that happens in writing is purely because it's an ideal setting. I've seen a few arguments recently about how fan authors portray Japanese schools wrong- listen, I can't tell you how many random school systems I have pulled from my ass purely because (I need them to interact at these points, in these ways). Sometimes the only compliment I can think of is 'I like your shirt' or sometimes I need character A to realize that character B likes the same thing as they do, so I might ignore the fact that most all Japanese schools require uniforms, so that I can put my character in a shirt that will get someone else's attention.

Sometimes it's difficult to find information on different types of systems, and sometimes when you DO know those things, they directly rule out a plot point that needs to happen (like back on the topic of schools (from what I've seen/heard/read- which guess what? Despite being from multiple sources, might still be inaccurate!) Japanese schools don't have mandatory elective classes (outside of like gym and most of them usually learn English or another language- I've seen stuff about art classes? But the information across the board varies.), but, if I need my character to walk in and see someone completely in their element, I'm probably not going to try and gun for accuracy or make up a million and two reasons as to why this (non elective) person would possibly need something from (elective teacher) after school of all things.)

Some experiences ARE universal- or at least overlap American and Japanese norms! Like friends going to fast food places after school doesn't /sound Japanese/ or whatever, but it's not like a horrible inaccuracy to say that your characters ate at McDonald's because they were hungry. Especially when you consider that the Japanese idolization of American "culture" is also a thing.

Also I saw someone complaining about how, in December, a lot of (usually westerners) write Christmas fics! Well, not only are quite a few of those often gift fics, with it being the season if giving and all, but Japanese people do celebrate Christmas! Not as "the birth of Christ," but rather as a popularized holiday about gift giving (also pst: America isn't the only place that celebrates Christmas)

But, on that note, sometimes things like Holidays are "willfully ignorant" of what actually happens (I've made this point several times, but (also this does by no means excuse actual racism)), because, again: plot convenience! Hey what IF they celebrated Halloween by Trick or Treating? What if Easter was a thing and they got to watch their kids or younger siblings crawl around on the ground looking for tiny plastic eggs?

Fanfiction authors can put in hours of work for one or two thousand words- let alone ten thousand words, fifty thousand words, a hundred thousand words. And all of these are free. There is absolutely no (legal) way to make money off of their fanworks, but they spent hours, days, weeks, months- sometimes even years- writing. It is so unnecessary to EXPECT or REQUIRE them to spend even more hours looking up shit that, no offense, almost no one is going to notice. No one is going go care that all of my combini prices are accurate or that I wrote a fic with a Japanese map of a train station that I had to backwards search three times to find an English version that I could read.

Not everyone has the attention span or ability to spend hours of research before writing a single word. Neurodivergent people are literally a thing yall. Instead of producing the perfectly pretty accurate version of Japan that people want to happen, what ACTUALLY happens is that the writer reads and reads and reads and either never finds the information they need or they lose the motivation to write.

^^^ (This does NOT apply to indigenous or native peoples, like Pacific Islanders or tribes that exist in real life. Please make sure that you portray tribal minorities accurately. If you can't find the information you need (assuming that the content of the series is not specifically about a tribe), please just make one up (and for fucks sake, recognize that a lot of what you've been taught about tribal practices, such as shit like human sacrifices or godly worship, is actually just propaganda.)

Not to mention, it often puts a wall in front of readers who would then need to pull up their OWN information (that may or may not be biased) just in order to interact with the fic ((okay, this one has a little bit of arguability when it comes to things like measurements and currency, because Americans don't know what a meter is and no one else knows what a foot is- either way, one of yall is going to have to look up measurements if they want to get a better understanding of the fic)). However, a lot of Americans who do write using 'feet, Fahrenheit, dollars,' also write for their American followers or friends (which really could go both ways).

On a less easily arguable side, most fic readers aren't going to open up a new tab just to search everything that the author has written (re the whole deep topics, not everyone wants to read about those sorts of things, either). Not only are you making it more difficult on the writer, but you're also making it more difficult for the reader who's now wondering why you decided to add in Grandma's Katsudon recipe, and whether or not the details you have added are accurate.

Some series, themselves, ignore Japanese norms! Piercings, hair dye, and incorrectly wearing ones uniform are frowns upon in Japanese schools- sometimes up to inflicting punishment on those students because of it. However, some anime characters still have naturally or dyed blond hair some of them still have piercings or wear their uniforms wrong. Some series aren't set specifically in Japan, but rather in a vague based-off-real-life Japan that's just slightly different (like Haikyuu and all of its different prefectures). Sometimes they're based on real places, but real places that have gone through major changes (like the Hero Academia series with its quirks and shit).

Fandom is not a full time job. Please stop treating it like it is one. Most people in fandoms have to engage in other things like school or work that most definitely take precident over frantically Googling the cultural implications of dying your hair pink in Japan.

Art is also meant to be a creative freedom and is almost always a hobby, so there are a few cracks that tend to spark debate. Like I said, it is still a hobby, something that's meant to be fun (on this note!)

If trying new things and expanding your portfolio is genuinely making you upset, it's okay to take a break from it. You're not going to get it right on the first try and please, please to everyone out there critiquing artists' works, please take this into account before you post things.

I'm sorry to say, but, while it gets frustrating to see the same things done wrong over and over again, some people are genuinely trying. If it matters enough for you to point out, please offer solutions or resources that would possibly help the artist do better (honestly this could be said about a lot of online activism). I get that they should "want" to do better (and maybe they don't and your annoyance towards them is completely justified- again, as I said, if this becomes a repeated offense and they don't listen to or care about the people trying to help them, yeah you can be a bitch if it helps you feel better- just please don't assume that everyone is willfully ignorant of how hurtful/upsetting/annoying a certain way of portraying things is), but also WANTING to do better and ACTUALLY doing better are two different things.

Maybe they didn't realize what they were doing was inaccurate. Maybe they didn't have the right tutorials. Maybe they tried to look it up, but that failed them. Either way, to some- especially neurodivergent artists- just being told that their work is bad or racist or awful isn't going to make them want to search for better resources in order to be more accurate, it's just going to make them give up.

Also! In fic and in writing, no one is going to get it right on the first try. Especially at the stage where we creators ARE merely in fan spaces is a great time to "fuck around and find out", before we bring our willfully or accidentally racist shit into monetized media. Absolutely hold your fan creators to higher standards, but literally fan work has so little actual impact on popular media (and this goes for just about every debate about fan spaces), and constructive criticism as well as routine practice can mean worlds for representation in future media. NOT allowing for mistakes in micro spaces like fandoms is how you get genuinely harmful or just... bad... portrayals of minorities in popularized media that DOES have an impact on the greater public. OR you get a bunch of creators who are too afraid to walk out of their own little bubbles, because what if they get it wrong and everyone turns against them. It's better to just "stick with what they know" (hobbies are something that you are meant to get better at, even if that is a slow road- for all of my writers and artists out there, it does take time, but you will get it. To everyone else, please do speak up about things that are wrong, but don't make it all about what's wrong and please don't be rude. It's frustrating on both ends, so, if you can, please try not to escalate the situation more.)

Anyways, I'm tired of everyone holding fictional characters to American Puritanical standards, but I'm also tired of seeing every "stop Americanizing fandom" somehow loop into fanfiction and how all authors who don't make their fics as accurate as possible are actually just racist and perpetuating or enabling America's take over of the world or some shit.

Fan interpretation of published media is different than fan creation of mon monetized media. Americans dominating or monopolizing spaces meant for all fans (especially in a fandom that was never meant for them to begin with) is annoying and can be harmful sometimes. Americans writing out their own personal experience using random fictional characters (more often than not) isn't.

[webby-vanderslap]

Whaaaat’s up! My name is Slimer, or TerminalMiraculosis on ao3, and this is my blog for my duck fanfiction! I’ve written a ton for this fandom, mostly Weblena, and a few of my fics have gotten pretty popular, which I’m very thankful for. I don’t write much for this fandom any longer (I write for deltarune now), but I built up a pretty large body of work across my two years in the fandom, and I figured I should make a post organizing some of that.

Anyway, some of my most notable fics include:

- Crossing the Streams, a light and fluffy Weblena streamer AU, which currently has the most hits and second-most kudos in the ship tag (somehow). It’s entirely comedy and romance as the characters meet and grow in less stressful circumstances than canon, and has some fun meta elements. 65K words.

- Of Claws and Cutlasses, a Weblena pirate AU where Lena is a runaway pirate and Webby is a runaway mermaid, and they are gay. Mostly action-adventure, with a strong romance subplot. This one also did really well, and I probably consider it my best work. 90K words.

- Stitched Through Time, a time travel fic, where three versions of Lena at different ages get thrust into each other’s times and have to find a way back. Also Weblena. This one’s a lot of fun, and explores a lot of my headcanons for the characters’ near and distant futures. 55K words.

- Shadowbound, a rewrite of season 2 where Lena is living as Webby’s shadow, and is there for everything. Angstier than my other fics, especially at the start. Finished, 70K words.

- Webby and the Quest to Hold Lena’s Hand, my first work in the fandom and a pretty standard romantic comedy about Webby crushing on Lena and failing to make a move. It’s a little old, written in early 2020, but I think it holds up. 40K words.

- Season’s Change, a fic of connected one-shot chapters about May and June finding their place in the Duck family after the series finale. I’d probably classify the prevailing genre as hurt/comfort, but as with all my fics there’s a lot of comedy too. Also, weblena starts happening in the later chapters because I have no self control. 30K words.

- These Ducks Be Trans, which is a series of unrelated oneshot fics exploring trans headcanons for the duck kids, because I am trans and I can write whatever I want. These are all very special to me, even though they’re obviously much smaller than my multichapters.

- My works for the YBI Weblena Week and Weblena Week 2020, which both have a bunch of fun Weblena oneshots. Poems, Prose, and Problems is definitely my favorite out of all of those; it still makes me laugh when I reread it. I think they’re all pretty good, though.

And then there’s like, ten other stories, too, but those are the main ones and I don’t want this to get too absurdly long. If you’re like, man, some of these are good, but I wish she’d written this specific kind of thing, then feel free to commission me, but otherwise, I hope you enjoy what’s there!